Steve Petach wrote:
I have generally been avoiding this forum because of the distinct lack of charity espoused here.
Steve,
I must disagree with you strongly and call you out on your accusation.
Lack of charity and principled disagreement are two different things. Too many people in our society (and in our Church) seem to mistakenly believe that when you have a strong disagreement with someone you are being uncharitable.
Sometimes an accusation of lack of charity is used to stifle discussion. The reasoning goes like this:
1) Joe has worked very hard on a particular project and really believes in it.
2) When anyone criticizes the project Joe worked so hard on it really hurts Joe.
3) Those who criticize the project Joe worked on lack charity because their criticism hurts Joe.
One can certainly understand and sympathize with Joe, and agree that he worked hard on his project. Yet the real world judges the quality of the product and not the effort that went into it. And it can really be no other way.
Those on both sides of the issue need to present their opinions on the revisions based simply on the quality of the changes, using good scholarship and other appropriate supporting qualitative evidence.
I invite you to spend some time rereading what has been posted here on the Forum regarding the proposed liturgical revision. If you look at it with a discerning mind I think you will see lots of principled disagreement and little lack of charity. Where you do see lack of charity report it to the moderators using the �Report a Post� feature. Posts that cross the line into uncharitableness are either edited or deleted.
Steve Petach wrote:
However the MUSIC is not "new"! Stop referring to the MUSIC as "new", please. I find it amazing that even cradle Byzantines (Ruthenian) over 40 are referring to the recent liturgical music (which is modeled on the much older melodies used for centuries) as "New". How quickly a generation has lost knowledge of our chant!
I have not seen much of the new music, but it most certainly is �new�. You must look at it from the view of the average worshipper. They have sung the official English settings (Gray Book, Greek Book, black �Byzantine Liturgical Chant� book) for 40 years. For many, the new settings and texts are changing something they have sung all their lives. Like it or not the changed music is �new� to them.
I�ve offered this example before but I will offer it again. Think of the refrain for the Christmas Carol �O Come, All Ye Faithful�. It is known by almost every Christian in the English speaking world. Now imagine if some fictitious committee on Christmas Carols issued a decree changing �O come let us adore Him, Christ the Lord� to �You! Come and adore the Lord!� This committee would be correct that the new translation and (imagine a) setting is a more accurate rendering of the Latin. But would the average layman in the congregation welcome a change to something he has sung all his life? To him it would most likely be both �new� and unacceptable.
Let�s look at another example. Mom and Baba grew up with the Liturgy in Church Slavonic. All their lives (in Baba�s case over 80 years!) they have sung the Slavonic Divine Liturgy a certain way. But the old cantor has now retired and there is a new cantor. He says the parish adds extra notes to the �I�e Cheruvimi� (instead of singing �tajno� with two half notes both on an �E� the parish sings �taj� on �E� and �F#� and comes back down to the �E� for �no�). But the new cantor says that the official Bok�aj doesn�t have the slur! And he�s correct, Bok�aj doesn�t have the slur! Does this new cantor have the right to come into a parish, accuse them of getting sloppy with Bok�aj, and force them to change? How many generations of singing something (anything) a particular way are necessary before that setting become legitimate? The Irmologia published in the generations before Bok�aj are all a bit different (and in some cases quite different). Should we revise Bok�aj to match the notation from an earlier generation? What criteria do we use to say that one source is more accurate than another? That one development is legitimate and another illegitimate? What about the oftentimes vast differences between parishes?
That is certainly a debate!
Now, look at the issue today. Almost all parishes have accepted the official English musical settings for the fixed portions of the Divine Liturgy. They have sung them now for 40 years. They have united our Church when the people from the various parishes get together to pray. These settings have been accepted as legitimate by the faithful
(�Sensus Fidelium�).On what basis does anyone tell the faithful that what they have been singing for 40 years is now unacceptable and should be forbidden?
If one says that we must restore every note to Bok�aj one must explain why. Does anyone seriously argue that we can reform the Divine Liturgy (that we hold common with other Churches) in any manner we please but that our liturgical chant (that is unique to us) must be identical to Bok�aj, even to the point of prohibiting us from following the example of how the Slavs took Greek Chant and turned it into something uniquely Slavic?
It really does not matter whether the new settings are better or not. [There are many criteria for judging musical settings that we can discuss if you want to.] What matters here is that some are proposing that musical settings that people have sung for a lifetime need to be changed.
To summarize:
1). Principled disagreement and lack of charity are not the same thing. Posters are free to disagree greatly so long as they present their disagreement with charity.
2) The revised settings � whether they are good or bad � are �new� to people who have never known them. Those who propose the changes need to present the reasons for changing the settings to the faithful to see a
(�Sensus Fidelium�).I hope you will reread the posts here with a new outlook and comment back.
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