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Joined: Sep 2007
Posts: 177
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Posts: 177
Sometimes there is a risk of jerking the thurible when stopping it at an unnatural point of the swing, and when the thurible is shaken like that, depending on its design, charcoals become dislodged, incense falls of the charcoal, it may brush against their vestments the wrong way (and too much of this causes the vestments to sometimes discolor), or worse yet, the coals may fall out on a carpet.

I was the "perpetual thurifer" for a while at our Cathedral liturgies, and when making turns I had to be conscious of when the swing would reverse. It is harder to do a 360 without being obnoxious with latin-style (those with longer-chains and especially difficult with a single chain) thuribles. I never did a 360...

It is easier to do it with the byzantine style thuribles, which are shorter and have 4 chains. Because these thuribles are often swung with the lid slightly open, I am sure that there is concern that when turning around the centrifugal force which holds the charcoal inside the thurible would not be interrupted - hence the necessity of the 360.

Of course, it is impressive to see as well! grin

Now some day I'll tell the story of how I set off the new fire alarm system during cathedral liturgiesafter our cathedral was restored. Three separate liturgies. We found out the locations of the smoke detectors the hard way! crazy

To keep me from being appointed thurifer the had to ordain me. smirk

Joined: Jul 2002
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It's very useful sometimes because it is quicker than the "3 swings" method - helpful if you don't have much time for the incensation (e.g. before the Gospel Reading)

AND if it is much more quiet - if your thurible bells are a little too loud...

(as was explained to me) both methods are essentially ways to trace the cross: the "3 swings method" touches the cross at the top and the 2 ends of the horizontal cross piece; while the "360 method" is actually drawing the vertical and then drawing the horizontal lines of the cross.

Herb

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