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Last edited by Irish Melkite; 02/28/10 10:02 PM. Reason: Retitled
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Not for me! The colours of the Mother of God are warm browns and ochres and russet reds. Look at her icons. The colours are warm colours, earth colours, colours of motherhood. Her glory is in her motherhood of her Son. The adoption of the blue of virginity is an imitation of a Western preference, the blue and white statues of the Virgin Mary. It contradicts the traditional Orthodox intuitive choice of colours to reflect the glory of Mary's motherhood. Blue is, I suppose one could say, a voluntary adoption by the Orthodox of a latinisation!
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Not for me! The colours of the Mother of God are warm browns and ochres and russet reds. Look at her icons. The colours are warm colours, earth colours, colours of motherhood. Her glory is in her motherhood of her Son. The adoption of the blue of virginity is an imitation of a Western preference, the blue and white statues of the Virgin Mary. It contradicts the traditional Orthodox intuitive choice of colours to reflect the glory of Mary's motherhood. Blue is, I suppose one could say, a voluntary adoption by the Orthodox of a latinisation! The majority of the mosaics in Hagia Sophia portray the Theotokos in blue.
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Not for me! The colours of the Mother of God are warm browns and ochres and russet reds. Look at her icons. The colours are warm colours, earth colours, colours of motherhood. Her glory is in her motherhood of her Son. The adoption of the blue of virginity is an imitation of a Western preference, the blue and white statues of the Virgin Mary. It contradicts the traditional Orthodox intuitive choice of colours to reflect the glory of Mary's motherhood. Blue is, I suppose one could say, a voluntary adoption by the Orthodox of a latinisation! The majority of the mosaics in Hagia Sophia portray the Theotokos in blue. Agia Sophia is simply an exception to the norm, Christ Himself is portrayed in blue there. One will not find blue in the canonical tradition of iconographical depiction of the Mother of God. Refer to the various iconpainters' handbooks, Greek and Russian.
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Hagia Sophia is the original norm. One will find the Theotokos often with an inner robe of blue with a red mantle over top symbolizing she contained the divinity(blue-the color of the heavens) within her humanity(red-the color of blood). Just as one will often find Christ with an inner robe of red covered by a mantle of blue, symbolizing he clothed our humanity with his divinity. And of course one will find examples for both with the colors reversed.
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Among wonder-working icons showing the Theotokos with a blue outer robe are those of Ostrobramskaya, Czestochowa, Akhtyrskaya, Perpetual Help, Soufanieh, Novonikita and many of those of the Tender Mercy type including Pskov.
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Among wonder-working icons showing the Theotokos with a blue outer robe are those of Ostrobramskaya, Czestochowa, Akhtyrskaya, Perpetual Help, Soufanieh, Novonikita and many of those of the Tender Mercy type including Pskov. I am aware that most of these are not Orthodox icons but originate with Catholic sources or come from a mixed Catholic-Orthodox influence.. For example.. Ostrobramskaya is Lithuanian Catholic and painted in 1630. It is a very important marker of Lithuanian Catholic identity. Please see the article on Wikipedia. http://en.wikipedia.org/wiki/Our_Lady_of_the_Gate_of_DawnThis and a few of the others you mention became known and venerated by some of the Orthodox population living in the areas of Polish government. Akhtyrskaya comes from Akhtyrka, a Polish city in the Ukraine. Its composition is very untraditional by an Orthodox standard and it is assumed to have been painted by a Ukrainian Catholic. Perpetual Succour (called by Orthodox "of the Thumb" or "of the Passion.") On Orthodox icons you will see the traditional Orthodox colour scheme. Catholics reverse the colours in this icon so that the blue becomes the dominant colour.. Soufanieh is a latinised version of the Russian Kazan Mother of God created by Catholics in Lebanon. The colours have been reversed there also and the red of divinity is incorrectly used on her inner garment and the blue has been used for her outer garment. See an example of the correct colouring here http://www.bai.org.uk/images/MotherOfGodOfKazan.jpgThe icons you have chosen are not representative of the Orthodox depiction of the Mother of God. Most Orthodox will eschew icons which depict her with blue as the primary colour, i.e., her outer garment. If you have time you could look on the Net for examples, or even better, examine one of the Iconpainter's Manuals, modern or ancient, either from Greece or Russia and see the rules for colour which the iconographical tradition requires.
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The question is: in what colours is the Mother of God depicted 99% of the time? After all, I can send you examples of her depicted in full Muslim black!!  What colours are specified by the Iconpainters' Manuals ancient and modern? What colours are iconographers instructed to employ? I would be hesitant to classify these monuments of Byzantine iconography as Latinizations. Indeed, I have not noticed anybody doing that but it would be most foolish.
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I've always seen the Bohorodicen in blue, sometimes with red as well, in both Cathoic and RO-OCA parishes. Always blue; sometimes with red over or under; never red alone.
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